We’re halfway through Noirvember now and once again we find ourselves with a story of espionage.
George Raft plays the main role in Johnny Allegro – John Allegro, a florist, former soldier. A soldier is only a part of it, though – he is a real war hero. Oh, he is also a former criminal who did time in Sing Sing. He has led an interesting life. But his current, florist life is less terrifying, less tumultuous, it is pretty pleasant, actually. That is, until a shady man appears and wants to make a deal. Treasury Department wants him to work (spy) for them and expose a wanted criminal. And maybe get his difficult past dealt with once and for all.
I do not feel like there is a lot to say about the plot of Johnny Allegro that would be more intriguing than those three words: hunting for humans. And honestly, I do not really think that a film like this should have this gimmick be the most recognizable thing about it but sadly the action itself is not that enjoyable. And I do not want to be mean but George Raft is not exactly a dashing presence. He is a good actor but not much of a Leading Man.
I loved the music: it was rich, dramatic, and moody. It has some nice production design, too. But what I loved most was the noir cinematography: this month all I want to see are shadows and if anything, the shadows of Johnny Allegro are atmospheric and gorgeous.
Swingin' at the Seance 